when i think back on the many years i spent acting my mind gravitates to the space just off-stage. to the countless moments just before an entrance. the great gaping mouth of that threshold between reality and make-believe. the cool, dark nooks ringing-round the edge of light. the sacred space in which fear and potential mingled, lived-side-by-side, drew breaths one from the other.
and then onto the stage. into the space. into the light.
i was never aware of being watched. never aware of even thinking up there. it was...it just was. perhaps the purest, most authentic form of myself. but cloaked under the pretense of...pretend.
(and under the pretense of pretend everything is a bit more real).
i don't miss acting. i don't think i do. if i'm really honest, i don't. and then i feel tremendously guilty for the not. the not missing. the not wanting. the non-pursuit.
but maybe i do. maybe the not is really the non-remembrance. perhaps if i found myself in those wings once more i might suddenly become aware that i have lived the past three years without ever once breathing.
i don't think so. because there is this, this writing. and there are lungs to these words.
but the thing about writing--at least in this domain--is there is an immediacy and a lack of anonymity that i am suddenly finding all-together-terrifying.
i find myself. center stage. staring out. breaking down that fourth-wall. aware of all those eyes.
and i am, for the first time, more aware of what cannot be written than what can.
of how i cannot write of the boy i met on the bus from boston. or the one who took me to a wine bar in the west village. i cannot write about the man who's face i've conjured up so many times i can't remember what he looks like.
point of fact, i cannot write about men at all. except the imagined. always the imagined. only the imagined.
i cannot write about loneliness or the holes in faith that pepper most mornings.
i can't write about the new scented soap that lives in my bathroom and makes me utterly sick to my stomach. how the scent creeps out into the hallway, into the living. room. how i hate that soap. hate what it stands for.
i cannot write about any of these things because these things--these thoughts--are tethered to people. and these people deserve their anonymity, if anyone.
i cannot write about the monotony of the days now abutting one.into.theother. nor how i am suddenly aware that a thinner frame doesn't make any of this easier. i mean i knew that, but now i know that. there's always someone skinnier, blonder, more vibrant.
how it's apathy i find most dangerous. most unnerving. how i take in deep breaths and am met with no air.
i cannot write about how i just want someone to go grocery shopping with. how i went to make dinner for them. do their laundry. it all sounds so terribly un-feminist. so not-of-the-moment.
and if these things are to be written, to be read--if they are to be read would the words lose their air?
an open letter to any man (the world over) who may ever reject a woman:
dear man-lucky-enough-to-have-a-woman-ask-you-on-a-date:
keep it simple. and pay homage to the deeply courageous thing she did by putting herself out there.
(1) express how deeply flattered you are and (2) simply say, no thank you.
that is all. leave it there. let it alone. even if she responds. say nothing, or if you must (and only if you must) reemphasize the above two points.
anything else that you might say--in hopes of making her feel better (or even yourself)--will inevitably be the thing she finds patronizing and upsetting. and of course, it will inevitably be the thing she replays again and again.
and then, and i can't emphasize this enough. in the days that follow: stop being so damn nice. stop being the guy she liked in the first place. it makes it that much harder.
she will like you all the more and all the less for the kindness you offer up. and she will feel crummy for not being able to meet your friendly gaze. so please don't ask or expect her to.
just a friendly piece of advice,
meg
date a girl who reads.
ps: happy fourth!!!!
minehatten: the summer edition
rob spent some time doing a show in germany last year and shared with me that they often refer to frankfurt as mainhatten because it's the only city in the country with skyscrapers (and because it's located on the main river). i think it's a tremendously clever play on words so this edition of my manhattan will be entitled in that same spirit.
one of those love letters (sort of).
dear husband-to-be,
at this point i make a mean cup of coffee, am relatively adept around the kitchen, and my boobs will only stay perky for so long.
hurry up.
xo,
yours





